Enamelling by Phoebe Anna Traquair

Enamelling by Phoebe Anna Traquair

"The Dream"

Be introduced to the exquisite enamel work of Phoebe Anna Traquair, looking at the example to be offered in our 20 & 21 October auction, Design Since 1860, entitled 'The Dream'.

Phoebe Anna Traquair learned the craft of art enamelling from her friend Lady Carmichael in 1901, and over the coming decade her enamels would be set either as jewellery (notably pendants and necklaces) or ‘architectural’ formats such as triptychs in stands often designed by her architect son Ramsay. They were exhibited both in Scotland and in London with the Arts and Crafts Exhibition Society. Her fine enamels soon became the craft for which she was best known south of the Border, with The Studio critic commenting in 1906 that ‘the qualities which are attained in enamel by a worker with a sensitivity to colour make it peculiarly a medium which satisfies an artistic nature ... that enamelling is Mrs Traquair’s medium we do not doubt’. Her subjects, painted on copper or more occasionally silver or gold, were taken from classical or religious subjects, the latter often popularised as angels comforting or watching over female figures. A pendant, necklace or the occasional brooch, set to her design by John Maitland Talbot, Hamilton & Inches, Brook & Sons or (after 1909) Henry Tatton would sell for two or three guineas.

 

PHOEBE ANNA TRAQUAIRLOT 351 | PHOEBE ANNA TRAQUAIR (1852-1936) | 'THE DREAM', ARTS & CRAFTS BROOCH, CIRCA 1909
enamel with foil in copper, within white metal mount | 5cm across | £3,000 - £5,000 + fees

 

View Lot 351 ⇒

 

Traquair the artist always gave her craft pieces titles, and The Dream copies the central plaque of a 1906 necklace of the same name. Enamels that were admired or which she herself found particularly satisfying were duplicated, with a number remaining unset in her studio. One such unmounted piece is The Dream, given to the V&A by her granddaughter and dated 1909. The enamel is from the same date: the setting may be by Brook. The dream concept was one that greatly appealed to her, and was introduced to her Mansfield Place Church mural where Joseph’s dream is central to the Old Testament narrative on the nave’s south wall (1900). A dream image was also present on the Lorimer piano painted for Frank Tennant as part of her illustrations of The Song of Solomon (National Museums Scotland).


With thanks to Elizabeth Cumming for her footnote for this lot.

 

Auction Information

 

Design Since 1860

Lot: 49 to 333 - Wed, 20th Oct 2021 10:00

Lot: 334 to 622 - Thu, 21st Oct 2021 10:00

Live Online | Edinburgh

 

View the auction catalogue ⇒

 

Viewing from will take place at our Edinburgh saleroom on Sunday 17 October, 12noon to 4pm and Monday 18 & Tuesday 19 October, 10am to 5pm.

 


 

Design 1860 - 1945

 

Lyon & Turnbull’s Decorative Arts & Design specialists are renowned for both their knowledge and their sales of artworks conducted from our Scottish auction house based in Edinburgh and via our live online auctions. Our specialists are experts not only on design from 1860 to the present, but also on current market conditions, an essential combination to any successful auction.

 

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