Claude Lévy was a French sculptor and designer whose modernist works bridged the worlds of decorative and fine arts in the interwar period.
Despite her traditionally masculine name, Lévy was a pioneering female artist working within a largely male-dominated field. Her sculpture was deeply influenced by the formal language of Cubism, which she adapted to create strikingly solid, geometric forms characterised by clarity, balance, and refinement.
Favouring simplified, abstracted shapes and smooth, polished surfaces, Lévy’s work reflects the early 20th-century fascination with reduction and essential form. She produced sculptures in both ceramic and bronze, demonstrating a deep sensitivity to material and a mastery of contrasting textures. Her ceramics often carried a quiet monumentality, while her bronzes conveyed strength with sculptural poise.
Though details of her life remain scarce, Lévy’s work speaks to the spirit of experimentation and innovation that defined the decorative arts in France between the wars. She was part of a generation of women artists who carved a space for themselves in modern sculpture, and her practice sits at the intersection of Cubist abstraction, design modernism, and craft tradition.
