Andrew Flemming, a graduate of the Glasgow School of Art, approaches silversmithing through a conceptual and often experimental lens, exploring themes such as the body, ritual, and transience.
His work challenges conventional forms, often blurring the boundary between object and idea.
Flemming’s vessels and sculptural forms are often asymmetrical or interrupted—crafted to provoke thought rather than simply serve. He has exhibited across the UK and is part of a younger generation of makers expanding the expressive potential of silver.
