“When we were asked to assist with the dispersal of the collections from Dr Cargill Thompson’s home we didn’t know what we would discover,” Mr McNaught added. “There were family archives (retained by the family) which were still in trunks which were brought home with them from Burma and had never been opened. They arrived in Glasgow in 1937 and the trunks were just as they had been packed with their belongings.”
Described as a true eccentric, Dr Cargill Thompson was brought up in pre-war Burma but the family returned to Glasgow before the outbreak of the Second World War, her father worked as a merchant trader.
Her life-long passion for art began as a child in Glasgow’s Kelvingrove Art Galleries. She liked to say she began collecting in earnest in 1985, ‘’when Maggie Thatcher brought income tax down and I had some spare money” but she came from a well-off family with her great-grand uncle David Syme Cargill founding Burmah Oil.
Educated at Cheltenham Ladies College, she then read Physiology and Pharmacology at the University of St. Andrews before going on to do a PhD at the University of Edinburgh carrying out research into the contraceptive pill. In 1970, Dr Cargill Thompson began work at the Andersonian Library at the University of Strathclyde, being appointed as the head of the library’s new Reference and Information Division in 1982. Close to retirement in 1999, she was awarded the Princess Royal Medal for services to the discipline.
In her lifetime she gifted nearly 1,000 artworks to the University of Strathclyde which have been displayed in lecture halls, staff rooms and corridors throughout the university.
Among the first items that was sold with Lyon & Turnbull included contemporary artist Avril Paton's Atholl Gardens painting which achieved £6,250 including fees and a large collection of coins seeing £2,375. Lyon & Turnbull also offered Dr Cargill Thompson’s collection of bronze sculpture by Shona Kinloch and David Meredith, unseen at auction until now and achieving ten times their pre-sale estimate with a combined result of £22,000 inc fees.
Godward’s Poppies led the Five Centuries auction over two days on Wednesday 19 and Thursday 20 of May 2021. Godward went against his family wishes when he chose a career as a painter and this disapproval was compounded when he left England for Italy with one of his models. It is believed that at this point he became estranged from his relations to such an extent that they removed his likeness from family pictures. He remained in Italy for almost a decade, only returning home in 1921. In 1922 after taking his own life, with notes left by him indicating that he was struggling with his place in an artistic world that was now largely interested in the modern and contemporary.
Godward’s approach has been referred to as that of a ‘High Victorian Dreamer.’ Technically, he can be considered a Victorian Neo-Classicist, though at times his strong colour and posed subject have seen him be grouped with the Pre-Raphaelites, despite a differing inspiration source.
The painting may well have been in good company as in the early 20th century two of David Cargill’s five children made a conscious effort to collect French Paintings, including works by the Impressionists and Post-Impressionists. The collections of David W T Cargill and his brother William Cargill were renowned and three Impressionist paintings from William’s collection are now on display in Glasgow’s Kelvingrove Art Gallery: a Corot, a Courbet and a Seurat. The collection was sold and proceeds were used to form The Cargill Fund.
While it's tinged with sadness at being tasked with selling some of the effects of Dr Thompson, Mr McNaught said it has been a privilege to work on the collection. “I got to know Dr Cargill Thompson through her passion for silver collecting and support of events with the Hunterian Friends and other organisations throughout Glasgow. Without fail I would see her at talks and often be delivering new acquisitions to her home.”
Mr McNaught added: “Dr Cargill Thompson was a truly public-spirited Glaswegian, throughout her time at the University of Strathclyde she supported the Collins Gallery, which closed in 2013, and in 1999 she gifted her collection of contemporary art to the University and a portion of her Contemporary Silver collection to The Glasgow School of Art, of which the remainder has now been bequeathed.
“Dr Cargill Thompson would be sitting at gallery openings with fellow guests around who wouldn’t realise she had already put red dots on several items,” added Mr McNaught. “She travelled everywhere by bus and when asked why she didn’t just take a taxi on some dreich nights, her reply was ‘why would a I take a taxi when I can use the money to support others?’".
