Looking for a personal understanding of the endless and interconnected stimuli at our fingertips, and the shared capacities for processing it all, she borrows from a broad range of academic fields, particularly philosophical theory and neuroscientific studies. Complementing this, by paying close attention to the experiencing of everyday beauty, the artist pursues a deeper understanding of the embodied feelings of phenomena: such as the tricklings of sunlight, gentle breezes and warm touches of skin; she explores the replication of these in the language of visual art. Elements of these understandings propel her cyclical practice of research, writing and making to navigate the spheres of the scholarly, the quotidian and the individual.
Laura Jane's practice questions, pushes upon and plays with conventions of artistic materialities in hopes to find something in the in-between of material properties and artistic outcomes. Her current focus on the medium of cyanotypes is an inquisitive conversation between material and artist, negotiating the interplay of sunlight and time's ephemeral quality with the lasting impression of touch: felt through the artist's hand and body.