Through materiality, the physicality of colour, and line, Lizzie Henson creates with a sense of motion and presence. Juxtapositions in scale, weight, and pace provide the viewer with tactile and sensory pieces with an impact. Lizzie confronts the viewer with intangible spaces that question not who you are but where you are through tonality and surface. The fluid nature of her practice means she is not wanting to work towards meeting a resolution but instead capturing movement in something static through the fluidity of ink. Ideas for her work are kept pure and honest by realising those first initial thoughts before letting her mind overcomplicate the composition.
From serene applications of colour to blocked out spaces and dramatic gestures, arresting metaphorical spaces are created with notions of trace and physicality. Definitive rectangles amplifies Lizzie's exploration of control and uncontrol by contrasting neat edges against loose gestures. She achieves different levels of noise through interactions between gradients of colour, size, and their placement. These tensions within Lizzie's practice all comes down to her choices in material, colour, and line.