Julia Manheim is a renowned British jewellery artist who studied at the prestigious Central School of Art and Design (now Central Saint Martins), a leading institution known for producing some of the most influential figures in contemporary art and design.
In 1973, she co-founded a collaborative workshop with fellow innovative designers Caroline Broadhead and Nuala Jamison—both recognised for their contributions to modern jewellery and wearable art. By 1975, Manheim had established her own independent studio in London, where she began developing a distinctive practice that challenged traditional definitions of jewellery.
Manheim gained critical acclaim for her bold and experimental approach to materials and form, often blurring the lines between jewellery, clothing, sculpture, and drawing. Her work is celebrated for pushing the boundaries of wearable design, engaging with themes of functionality, body adornment, and artistic expression.
One of her most influential collections, Wire Work (1982–1983), marked a turning point in the evolution of contemporary jewellery. In this series, Manheim used industrial plastics - an unconventional material at the time - alongside wire to create sculptural pieces that were both minimalist and conceptually rich. These works stood out for their architectural qualities and their redefinition of what jewellery could be, positioning Manheim as a key figure in the British art jewellery movement of the late 20th century.
Today, Julia Manheim's jewellery continues to be recognised for its innovation, interdisciplinary approach, and contribution to the broader discourse on art, fashion, and material culture. Her legacy endures in collections, exhibitions, and academic references, reflecting her lasting impact on the field of contemporary British jewellery design.
