CHARLES FRANCIS ANNESLEY VOYSEY (BRITISH 1857-1941)
SIDE CHAIR, CIRCA 1904
£6,930
Auction: 25 January 2023 from 10:00 GMT
Description
mahogany, with a heart-shaped cut out on the centre splat and close nailed drop-in leather pad seat
Dimensions
45.5cm (18 in) wide, 103cm (40 1/2 in) high, 44cm (17 1/4in) deep
Provenance
Provenance: Dreweatt Neate, Newbury, 9th February 1994, lot 194.
Footnote
Literature: Livingstone K. et al., C.F.A.Voysey: Arts and Crafts Designer, V&A Publishing, London 2016, pp.159-161 and 197, pl. 204, pls. 338 and 251
RIBA catalogue SB115VOY[229], the original drawing for this chair
Note: Voysey’s preferred material for furniture was unstained and unpolished oak. He did however specify other materials when he felt them appropriate, in particular, if the other furniture in the house was of a differing material or when specified by a client. He reiterated this to Arthur Simpson of Kendal in 1909 stating that “You must have oak everywhere or nowhere. I will not be a party to the mixture.”
A scarce example of his work in mahogany was a commission from the painter Edward Hughes who asked Voysey to design a corner sideboard for his house at 7, Lodge Place in St. John’s Wood in 1898. Voysey obtained quotations for the piece from Frederick Coote in mahogany and deal and mahogany was chosen. Other examples include a fitted scheme in mahogany for Leslie Paton at 29 Harley Street, London in 1919, although no records are known for moveable furniture. An entry in Voysey's black book a G.W. Glynn at 8 Netherhall Gardens in 1910 includes a music cabinet and other unspecified 'furniture'. The current lot and its companion, lot 58, were presumably from a similar commission where mahogany was the more appropriate material.