Lot 351
CHARLES RENNIE MACKINTOSH AND THE GLASGOW SCHOOL
LARGE COLLECTION OF BOOKS AND PAMPHLETS
Auction: Design Since 1860 Day Two | Thurs 15th October | Lots 246 to 524
Description
to include; David Martin THE GLASGOW SCHOOL OF PAINTING, George Bell & Sons 1897; GLASGOW INTERNATIONAL EXHIBITION 1901 FINE ART CATALOGUE, Charles P. Watson, Glasgow 1901; Katherine Cameron (illus.) THE WILD SWANS, T. C. & E. C. Jack, London 1911; Nikolaus Pevsner PIONEERS OF MODERN DESIGN, The Museum of Modern Art 1949; Thomas Howarth, MACKINTOSH AND THE MODERN MOVEMENT, RKP 1952, one with dust jacket (three copies), and 1977 with dust jacket (one copy); Patrick Nuttgens, MACKINTOSH AND HIS CONTEMPORARIES, John Murray, 1988; Robert Macleod, CHARLES RENNIE MACKINTOSH; ARCHITECT AND ARTIST, Collins, 1968; Roger Billcliffe, MACKINTOSH TEXTILE DESIGNS, John Murray, 1982; Roger Billcliffe, MACKINTOSH TEXTILE DESIGNS, The Fine Art Society, 1982; William Buchanan (ed.), MACKINTOSH’S MASTERWORK; THE GLASGOW SCHOOL OF ART, Richard Drew, 1989; Alistair Moffat, REMEMBERING CHARLES RENNIE MACKINTOSH, Colin Baxter, 1989; Roger Billcliffe, MACKINTOSH WATERCOLOURS, John Murray, 1978; Pamela Robertson (ed.), CHARLES RENNIE MACKINTOSH; THE ARCHITECTURAL PAPERS, White Cockade, 1990; Pamela Robertson, CHARLES RENNIE MACKINTOSH; ART IS THE FLOWER, Pavilion, 1995; Journal of the Architectural Heritage Society of Scotland, THE AGE OF MACKINTOSH, Edinburgh University Press, 1992; Roger Billcliffe, MACKINTOSH FURNITURE, Lutterworth Press, 1984; Timothy Neat, PART SEEN, PART IMAGINED, Canongate, 1994; Jackie Cooper (ed.), MACKINTOSH ARCHITECTURE, Academy Editions, 1980; Roger Billcliffe, MACKINTOSH WATERCOLOURS, Carter, Nash, Cameron, 1978; CHARLES RENNIE MACKINTOSH, Richard Drew, 1987; William Eadie, MOVEMENTS OF MODERNITY, Routledge, 1990; Jude Berkhauser (ed.), GLASGOW GIRLS, Canongate, 1990; Perilla Kinchin, MISS CRANSTON, NMS Publishing, 1999; CHARLES RENNIE MACKINTOSH FURNITURE, Glasgow School of Art, 1968; CHARLES RENNIE MACKINTOSH, Japan Art and Cultural Association, Tokyo 1985; Christies, THE DOCTOR THOMAS HOWARTH COLLECTION, auction catalogue, 1994; CHARLES RENNIE MACKINTOSH; ARCHITECTURE DESIGN AND PAINTING, exhibition catalogue, Scottish Arts Council, 1978 (five copies); Filippo Alison, CHARLES RENNIE MACKINTOSH AS A DESIGNER OF CHAIRS, Warehouse Publications, 1973; Douglas Percy Bliss, CHARLES RENNIE MACKINTOSH AND THE GLASGOW SCHOOL OF ART, Glasgow School of Art, 1961 (two copies); CHARLES RENNIE MACKINTOSH; IRONWORK AND METALWORK, Glasgow School of Art, 1968; CHARLES RENNIE MACKINTOSH AND GLASGOW SCHOOL OF ART; Scottish Art Review Volume XIV no. 4 (two copies); Scottish Art Review Special Number CHARLES RENNIE MACKINTOSH, Volume XI no. 4, 1968; C. R .MACKINTOSH; THE CHELSEA YEARS exhibition catalogue, 1994; Saltire Society and the Arts Council, EXHIBITION OF WORK BY CHARLES RENNIE MACKINTOSH, exhibition catalogue; FLOWER DRAWINGS BY CHARLES RENNIE MACKINTOSH, Hunterian Museum Catalogue 1977; C. R. MACKINTOSH, Hunterian Art Museum Catalogue, 1990; MACKINTOSH FLOWER DRAWINGS, Hunterian Art Museum Catalogue, 1988; MARGARET MACDONALD MACKINTOSH, Hunterian Exhibition Catalogue, 1983-4; MACKINTOSH WATERCOLOURS RSA catalogue, 1986; CHARLES RENNIE MACKINTOSH, Process Architecture, 1984; CHARLES RENNIE MACKINTOSH 1868-1928: A MEMORIAL TRIBUTE, Art Gallery of Toronto catalogue 1978; EXHIBITION OF WORK BY CHARLES RENNIE MACKINTOSH, Saltire Society and Arts Council of Great Britain, 1952 (2 copies); Roger Billcliffe ARCHITECTURAL SKETCHES AND FLOWER DRAWINGS BY CHARLES RENNIE MACKINTOSH, Academy Editions 1977; Gerald and Celia Larner THE GLASGOW STYLE, Paul Harris 1979 (approx. 50)
Provenance
Estate of the late Eric Sloane