The Collection of Alison & Angus Hill

The Collection of Alison & Angus Hill

Drawn to the quiet and understated charm of objects often discarded - the painted post box, the child’s wooden alphabet, and the delicious collection of milk and cream cans, with the names of the original owners inscribed - the Collection of Alison & Angus Hill, making up half of our Folk & Fantasy auction this December, is a group of special objects collected over the years by Alison with which she could not bear to part.

After many years of living and working in exotic and far-flung parts of the world, including New Guinea, Nigeria and Cairo, Alison and Angus Hill returned to their native Glasgow to make Scotland their permanent home. Spending time between the fashionable west end of Glasgow and the pretty Black Isle home in Cromarty, Alison now had plenty of time to indulge her passion for naive country antiques. These were not yet fully appreciated by native buyers when Alison first started to buy in the late 1960s. She had what is known amongst dealers and collectors as ‘a good eye’, following her instincts and buying with her heart. Much of what she bought was then sold, some to North America where there was and still is a greater admiration of painted and simple furnishings. One client she referred to as ‘Blue Chicken’. Some things would be bought by the famous Kensington Church Street emporium The Lacquer Chest who shared her taste and were, like Alison, ahead of their time. What we see in this sale is the collection of special objects which she could not bear to part with.

Is it too fanciful to believe that some of her pared-down aesthetic derived, in some part, from her early childhood home at Port Charlotte on the island of Islay, with its white-painted croft houses? She eschewed the popular mahogany and ‘smart’ antiques. Instead, her eye was drawn to the quiet and understated charm of objects often discarded - the painted post box, the child’s wooden alphabet, and the delicious collection of milk and cream cans, with the names of the original owner inscribed. The painted miniature portraits of Regency children were her companions on the walls, with some sailor’s sewn pictures and a painted pigeon portrait thrown in. The drawers in the lovely Cromarty home were stuffed with some of the many small wooden treen objects- a cornucopia of delights. These sat alongside art nouveau and Glasgow Style ceramics, glass and metalwares, a collecting habit had begun in Cairo and sold in our last Decorative Arts sale.

Visits to both the elegant Glasgow flat and home in Cromarty were always a delight, with intelligent and witty conversations and many tales of life overseas. Assam tea was served in breakfast cups. And our eyes were drawn to the many desirable objects which will now find new and appreciative homes. Here's a look at a few highlights...

 


 

LOT 6 | LARGE SCOTTISH NEEDLEWORK SAMPLER BY ANN LYON HOPE | DATED 1833

 

LOT 6 | LARGE SCOTTISH NEEDLEWORK SAMPLER BY ANN LYON HOPE | DATED 1833

LOT 6 | Y LARGE SCOTTISH NEEDLEWORK SAMPLER BY ANN LYON HOPE | DATED 1833
worked in silk and linen threads, depicting a scrolling border of strawberries and stylised flowers, above a central motto with paternal and maternal family initials, flanked by coronets and bearing the names 'ALEXANDER HOPE' and 'MARGARET COCKBURN', signed 'ANN LYON HOPE SEWED THIS SAMPLER WITH MRS ANDERSON 1833'; over a further band with baskets, flowering urns, trees, and peacocks, above a depiction of Inverary [sic] Castle, flanked by a landscape scene of pine trees, birds and animals, in a period rosewood frame
53cm x 52cm sight size | £1,000 - £1,500 + fees

 

View Lot 6 ⇒

 


 

LOT 9 | TWO CARVED AND PAINTED WOOD FIGURES OF HOMING PIGEONS

TWO CARVED AND PAINTED WOOD FIGURES OF HOMING PIGEONS

LOT 9 | TWO CARVED AND PAINTED WOOD FIGURES OF HOMING PIGEONS | 19TH CENTURY
polychrome painted, mounted on moulded wood plinths, the largest 15.5cm high; the other 14cm high; together with a NAIVE PAINTING OF A HOMING PIGEON, inscribed verso A FAMOUS HOMING PIGEON. LIVERPOOL 1860 | (Qty: 3) 23.5cm x 33cm (9.25in x 13in) | £300 - £500 + fees

 

View Lot 9 ⇒

 


 

LOT 11 | GEORGE III IRISH EMBOSSED PAPER BIRD PICTURE, ATTRIBUTED TO SAMUEL DIXON

 

GEORGE III IRISH EMBOSSED PAPER BIRD PICTURE, ATTRIBUTED TO SAMUEL DIXON

 
LOT 11 | GEORGE III IRISH EMBOSSED PAPER BIRD PICTURE, ATTRIBUTED TO SAMUEL DIXON | LATE 18TH CENTURY
depicting a bullfinch and blue tit perched on branches above fruit with a butterfly, in a later giltwood and gesso frame | 24cm x 35cm sight size | £800 - £1,200 + fees

 

View Lot 11 ⇒

 


 

LOT 39 | LARGE SALT-GLAZED EARTHENWARE BUST OF A KING, POSSIBLY JAMES II & VII

 

LOT 39 | LARGE SALT-GLAZED EARTHENWARE BUST OF A KING, POSSIBLY JAMES II & VII
LOT 39 | LARGE SALT-GLAZED EARTHENWARE BUST OF A KING, POSSIBLY JAMES II & VII | 18TH/ EARLY 19TH CENTURY
in dark chocolate brown glaze | 45cm high | £400 - £600 + fees

 

View Lot 39 ⇒

 


 

LOT 57 | VICTORIAN ELECTRIC MODEL OF A ROAD LOCOMOTIVE

 

LOT 57 | VICTORIAN ELECTRIC MODEL OF A ROAD LOCOMOTIVE
LOT 57 | VICTORIAN ELECTRIC MODEL OF A ROAD LOCOMOTIVE | LATE 19TH CENTURY
the cart 29cm wide, 17cm high and 14cm deep, with an associated ebonised case, 35cm wide, 27cm high, 24.5cm deep (Qty: 2) | £300 - £500 + fees

 

View Lot 57 ⇒

 


 

Auction Information

 

Folk & Fantasy:

Property from The Thrie Estaits and the Collection of Alison & Angus Hill
Thursday, 10th December at 10am
Live Online

 

View the auction catalogue

 

 

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