The 1961 International Exhibition of Modern Jewellery curated by Graham Hughes, organised jointly by the Worshipful Company of Goldsmiths and the Victoria & Albert Museum, was the world's first international display of modern jewellery. The exhibition covered the period from 1890 to 1961.
British artists were commissioned to complete new work for the International Exhibition. The aim was to reinvigorate the British jewellery trade, after the austerity measures during the Second World War. Artists were sent a matchbox full of wax to model a jewel. The models were cast into metal and exhibited. The exhibition demonstrated the power of jewellery as an art form, and challenged the tradition that precious materials were required.
For the rest of the 1960s the British jewellery trade saw the rise of 'artist jewellers'. Their work was ingenious because of the abstract forms used (sometimes casting from nature), and the treatment of materials. The jewellers took a subversive approach to setting precious stones. Diamonds, rubies, sapphires and emeralds were still used, but often took a backseat to 'humble' materials such as a slice of agate, a turquoise cabochon, or a rough crystal.
Stardust picks up from where Hughes's exhibition left off, exhibiting pieces by artist jewellers such as Andrew Grima, John Donald, Tom Scott, Alan Gard and Gillian Packard.
Collectors in the current market are clamoring for pieces by British jewellers making in the 1960s and 1970s. Stardust is an exceptional opportunity to view jewellery assembled from one decade, all made in Britain, and all from one private collection.
Stardust: The Art of British Jewellery in the 1960s
Wednesday 27 November to Wednesday 18 December 2019
Weekdays 10.30am to 5pm | Saturdays 12 noon to 4pm
22 Connaught St, London, W2 2AF
Kate Flitcroft | 0207 930 9115 | london@lyonandturnbull.com