Think of David Hockney, and immediately picture the sunshine-soaked, boldly-hued scenes of California homes and swimming pools that he is widely known for. After formative years spent in comparatively dreary Yorkshire, Hockney was immediately captivated by the bold colours and widespread luxury of Los Angeles. Private swimming pools were an extravagance in the U.K., but in the City of Angels, Hockney found them everywhere: he had discovered a subject. 

Paper Pools is a book chronicling a very specific moment in Hockney's creative process, a short period in 1978 when on route to California from England, he made a de-tour to Tyler Graphics studios in upstate New York, to visit friend and previous collaborator Kenneth Tyler. Here he was introduced to a new medium, the paper pulp process. This involved dyeing wet pulped rags, which were applied in various ways to recently-created and still wet paper, until they were finally fully pressed and dried; there were opportunities for the artist to manipulate the application of colour at all stages. The result was a cross between paper-making, print-making and painting. Hockney found learning this new technique and its specific restrictions, creatively freeing. He realised the process could be very conducive to variations on a theme, and the swimming pool and the effects of different lights and movements on the water was captivating him once again - as he swam in and looked at Tyler's outdoor pool each day. 

David Hockney Paper Pools

Lot 79
[§] DAVID HOCKNEY O.M., C.H., R.A. (BRITISH B.1937) 

Signed and dated '80 and numbered 524/1000 in pencil, published by Tyler Graphics, Ltd., Mount Kisco, New York,
bears blindstamp, on Arches Cover paper, lithograph;
Together with Paper Pools, the accompanying book, signed by the artist in red ink and stamp numbered 524 on the justification, with blue canvas covers and original slipcase, 27cm x 23cm (9in x 10.25in) 
Sold for £23,125 (inc BP)

In the resulting series, Paper Pools, Hockney creatively addresses a formal, and paradoxical problem: how to depict the elusive, ever-changing qualities of a body of water, in a flat, stationary, two-dimensional form. There is something conceptually satisfying in such a water-heavy process being used to attempt this. In these works, colour does not sit, it is fused, completely integrated into the medium. Water is the same; light and movement are subsumed into it, and thus its appearance and qualities change. 

Hockney Paper Pools

The beautiful book fully illustrates this process, with a reflective text written by Hockney and accompanied by various illustrations - reference polariods he took of the swimming pool in different lights, line drawings capturing the physical process, reproductions of each work in the series as well as some in-process photographs; of the works still at the wet pulp stage before they were pressed. There is a vivid sense of the finished product, but also of the process that went into it: physical effort, litres of water, eclectic equipment, artistic imagination and a strong feeling of camaraderie. 

Paper Pools by Hockney

To celebrate the publication of the work, Hockney produced a six-colour, hand-drawn lithograph, which he signed and numbered. It revives his favoured subject, boldly depicting the swimming pool and diving board in strong colours. The gently rippling water is depicted with surface watery, wavy marks, overlaying the deeper, overlapping shadows - there is depth and movement, as Hockney manipulates different effects of lithographic mark-making. 

Paper Pools is a celebration of the artistic innovation and imagination of a very particular moment in Hockney's career, but also an encapsulation of some of the key themes and subjects of his wider oeuvre. 

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More Hockney Highlights

David Hockney

Lot 80

Signed and dated '90 in pencil, numbered 28/50, diptych (2 sheets), homemade (screen) print 
43cm x 55cm (17in x 21.5in) 
Sold for £2,500 (inc BP)

Lot 81

Signed and numbered 61/200 in pencil, original color etching and aquatint from two copper plates on white wove paper 
45cm x 36cm (17.75in x 14.25in) 
Sold for £938 (inc BP)

Lot 82
[§] DAVID HOCKNEY O.M., C.H., R.A. (BRITISH B.1937) 

Signed with initials and indistinctly inscribed 'Colorado 1965', pen and ink 
44cm x 31cm (17.25in x 12.25in) 
Sold for £17,500 (inc BP)
Exhibited: Kasmin Gallery, New Bond Street, London (bears gallery label verso)


Modern British & Contemporary Art  | 16 August 2018 in Edinburgh | Closing for entries 11 July 2018
Contemporary & Post-War Art | 16 January 2019 in Edinburgh  | Closing for entries 01 December 2019
Modern Made: Modern British Sculpture, Paintings & Ceramics | 27 March 2019 in London | Closing for entries 01 February 2019

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